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Oct. 12th, 2009 12:16 pmWent to see The Caucasian Chalk Circle last week; a new translation, but it still kept bringing back memories of when I was in it. It was excellent. Well staged, about 12 actor/singers, with intelligent doubling- one guy played all the would-be rapists and one all the bureaucrats and so on- and a large chorus. One of the people I went with had seen a lot of Brecht and was slightly baffled that it has a happy ending, also, this group did the music quite melodically and didn't do much in the way of audience-startling like flashing the script up on projectors; she felt it was a bit un-Brechtian to have a nice evening out. It's more difficult these days, of course- just the back-and-forth switching of frame story, acting, narrating etc was shocking in the 30s but is pretty routine today. But it's an interesting one. Given that the author was all about forcing the audience to see a play as a fictional construct and not sink in to the experience, and the polemic was the most important thing, to what extent should you still be trying to do that 70 years later? (Bloody hell. 70 years. How come it still feels modern??)
Also there was a MancAfpMeet on Saturday, which was a lot of fun. We seemed to spend quite a bit of time talking about slash for how few women were thre, but there you go. (I was in a food stupor for most of it as I'd eaten practically my own bodyweight in congee for lunch- you know the sort of Mr Creosote/3pm on Christmas Day feeling? But it was amusing listening.)
Also there was a MancAfpMeet on Saturday, which was a lot of fun. We seemed to spend quite a bit of time talking about slash for how few women were thre, but there you go. (I was in a food stupor for most of it as I'd eaten practically my own bodyweight in congee for lunch- you know the sort of Mr Creosote/3pm on Christmas Day feeling? But it was amusing listening.)
